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<\/p>\nGi\u1ea3i th\u01b0\u1edfng Nobel V\u0103n h\u1ecdc n\u0103m 2017 \u0111\u01b0\u1ee3c trao cho nh\u00e0 v\u0103n Kazuo Ishiguro, sinh n\u0103m 1954, ng\u01b0\u1eddi Nh\u1eadt B\u1ea3n, hi\u1ec7n \u0111ang sinh s\u1ed1ng t\u1ea1i V\u01b0\u01a1ng qu\u1ed1c Anh. \u00d4ng \u0111\u01b0\u1ee3c trao gi\u1ea3i v\u00ec \u201cl\u00e0 ng\u01b0\u1eddi b\u1eb1ng nh\u1eefng c\u1ea3m x\u00fac d\u1ea1t d\u00e0o c\u1ee7a m\u00ecnh \u0111\u00e3 \u0111\u00e1nh th\u1ee9c g\u00f3c s\u00e2u th\u1eb3m, huy\u1ec1n b\u00ed b\u00ean d\u01b0\u1edbi nh\u1eefng \u1ea3o \u1ea3nh l\u00fd tr\u00ed trong ch\u00fang ta v\u1ec1 m\u1ed1i li\u00ean h\u1ec7 v\u1edbi th\u1ebf gi\u1edbi”.<\/p>\n
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Nh\u00e0 v\u0103n Kazuo Ishiguro<\/em><\/p>\n Vi\u1ec7c Ishiguro \u0111\u01b0\u1ee3c x\u01b0\u1edbng t\u00ean l\u00e0 \u0111i\u1ec1u r\u1ea5t b\u1ea5t ng\u1edd b\u1edfi trong c\u00e1c th\u00f4ng tin tr\u01b0\u1edbc ng\u00e0y trao gi\u1ea3i, \u00f4ng kh\u00f4ng h\u1ec1 \u0111\u01b0\u1ee3c nh\u1eafc t\u1edbi. T\u00e1c ph\u1ea9m n\u1ed5i ti\u1ebfng nh\u1ea5t c\u1ee7a Ishiguro l\u00e0 The Remains of the Day (Nh\u1eefng g\u00ec c\u00f2n l\u1ea1i c\u1ee7a ng\u00e0y). V\u1edbi t\u00e1c ph\u1ea9m n\u00e0y, \u00f4ng \u0111\u00e3 \u0111\u01b0\u1ee3c Gi\u1ea3i Man Booker v\u00e0 \u0111\u01b0\u1ee3c Harold Pinter – nh\u00e0 bi\u00ean k\u1ecbch t\u1eebng \u0111o\u1ea1t Nobel V\u0103n h\u1ecdc vi\u1ebft k\u1ecbch b\u1ea3n v\u00e0 do James Ivory \u0111\u1ea1o di\u1ec5n v\u1edbi s\u1ef1 tham gia c\u1ee7a hai di\u1ec5n vi\u00ean Anh g\u1ea1o c\u1ed9i Anthony Hopkins v\u00e0 Emma Thompson cho phim c\u00f9ng t\u00ean v\u00e0o n\u0103m 1993. \u0110inh Quang (theo nobelprize.org)<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Gi\u1ea3i th\u01b0\u1edfng Nobel V\u0103n h\u1ecdc n\u0103m 2017 \u0111\u01b0\u1ee3c trao cho nh\u00e0 v\u0103n Kazuo Ishiguro, sinh n\u0103m 1954, ng\u01b0\u1eddi Nh\u1eadt B\u1ea3n, hi\u1ec7n \u0111ang sinh s\u1ed1ng t\u1ea1i V\u01b0\u01a1ng qu\u1ed1c Anh. \u00d4ng \u0111\u01b0\u1ee3c trao gi\u1ea3i v\u00ec \u201cl\u00e0 ng\u01b0\u1eddi b\u1eb1ng nh\u1eefng c\u1ea3m x\u00fac d\u1ea1t d\u00e0o c\u1ee7a m\u00ecnh \u0111\u00e3 \u0111\u00e1nh th\u1ee9c g\u00f3c s\u00e2u th\u1eb3m, huy\u1ec1n b\u00ed b\u00ean d\u01b0\u1edbi nh\u1eefng \u1ea3o […]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-7785","post","type-post","status-publish","format-standard","hentry","category-tin-tuc"],"_links":{"self":[{"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/posts\/7785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/comments?post=7785"}],"version-history":[{"count":1,"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/posts\/7785\/revisions"}],"predecessor-version":[{"id":7786,"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/posts\/7785\/revisions\/7786"}],"wp:attachment":[{"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/media?parent=7785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/categories?post=7785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/casta.ttud.com.vn\/index.php\/wp-json\/wp\/v2\/tags?post=7785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nKazuo Ishiguro sinh ng\u00e0y 8\/11\/1954 t\u1ea1i Nagasaki, Nh\u1eadt B\u1ea3n. \u00d4ng v\u00e0 gia \u0111\u00ecnh \u0111\u00e3 chuy\u1ec3n \u0111\u1ebfn V\u01b0\u01a1ng qu\u1ed1c Anh n\u0103m 1960. Kazuo t\u1ed1t nghi\u1ec7p \u0110\u1ea1i h\u1ecdc Kent n\u0103m 1978. \u00d4ng b\u1eaft \u0111\u1ea7u s\u1ef1 nghi\u1ec7p v\u0103n ch\u01b0\u01a1ng v\u1edbi cu\u1ed1n s\u00e1ch \u0111\u1ea7u tay n\u0103m 1982 l\u00e0\u00a0 A Pale View of Hills (Khung c\u1ea3nh nh\u1ea1t nh\u00f2a c\u1ee7a c\u00e1c con \u0111\u1ed3i). N\u0103m 1989, \u00f4ng gi\u00e0nh Gi\u1ea3i Man Booker cho ti\u1ec3u thuy\u1ebft The Remains of the Day. N\u0103m 2008, \u00f4ng \u0111\u01b0\u1ee3c T\u1ea1p ch\u00ed Times x\u1ebfp v\u00e0o danh s\u00e1ch m\u1ed9t trong 50 nh\u00e0 v\u0103n v\u0129 \u0111\u1ea1i nh\u1ea5t n\u01b0\u1edbc Anh k\u1ec3 t\u1eeb n\u0103m 1945. C\u00e1c t\u00e1c ph\u1ea9m c\u1ee7a Ishiguro c\u00f3 d\u1ea5u \u1ea5n l\u00e0 m\u1ed9t phong c\u00e1ch ki\u1ec1m ch\u1ebf c\u1ea3m x\u00fac c\u1ea9n th\u1eadn, \u0111\u1ed9c l\u1eadp v\u1edbi b\u1ea5t k\u1ef3 s\u1ef1 ki\u1ec7n n\u00e0o \u0111ang di\u1ec5n ra. \u0110\u1ed3ng th\u1eddi, c\u00e1c cu\u1ed1n ti\u1ec3u thuy\u1ebft g\u1ea7n \u0111\u00e2y c\u1ee7a \u00f4ng c\u0169ng c\u00f3 ch\u1ee9a nh\u1eefng n\u00e9t \u0111\u1eb7c tr\u01b0ng \u0111\u1ed9c \u0111\u00e1o nh\u01b0 m\u1ed9t ti\u1ec3u thuy\u1ebft l\u1ea1nh l\u00f9ng v\u1ec1 khoa h\u1ecdc vi\u1ec5n t\u01b0\u1edfng (trong Never Let Me Go – M\u00e3i \u0111\u1eebng xa t\u00f4i) hay m\u1ed9t t\u00e1c ph\u1ea9m v\u1ec1 nh\u1eefng \u1ea3nh h\u01b0\u1edfng c\u1ee7a \u00e2m nh\u1ea1c, n\u01a1i m\u00e0 \u00e2m nh\u1ea1c \u0111\u00f3ng vai tr\u00f2 quan tr\u1ecdng trong vi\u1ec7c mi\u00eau t\u1ea3 c\u00e1c m\u1ed1i quan h\u1ec7 c\u1ee7a c\u00e1c nh\u00e2n v\u1eadt (trong Nocturnes: Five Stories of Music and Nightfall – D\u1ea1 kh\u00fac: n\u0103m c\u00e2u chuy\u1ec7n v\u1ec1 \u00e2m nh\u1ea1c v\u00e0 \u0111\u00eam bu\u00f4ng).
\nKazuo Ishiguro l\u00e0 t\u00e1c gi\u1ea3 c\u1ee7a nhi\u1ec1u t\u00e1c ph\u1ea9m l\u1edbn nh\u01b0: The Remains of the Day – Nh\u1eefng g\u00ec c\u00f2n l\u1ea1i c\u1ee7a ng\u00e0y (1989), The Unconsoled – Nh\u1eefng k\u1ebb kh\u00f4ng ngu\u00f4i (1995), When We Were Orphans – Khi ch\u00fang ta l\u00e0 tr\u1ebb m\u1ed3 c\u00f4i (2000), Never Let Me Go – M\u00e3i \u0111\u1eebng xa t\u00f4i (2005), Nocturnes: Five Stories of Music and Nightfall – D\u1ea1 kh\u00fac: n\u0103m c\u00e2u chuy\u1ec7n v\u1ec1 \u00e2m nh\u1ea1c v\u00e0 \u0111\u00eam bu\u00f4ng (2009), The Buried Giant – Ng\u01b0\u1eddi kh\u1ed5ng l\u1ed3 ng\u1ee7 qu\u00ean (2015)\u2026 T\u1ea1i Vi\u1ec7t Nam, \u0111\u00e3 c\u00f3 c\u00e1c t\u00e1c ph\u1ea9m c\u1ee7a \u00f4ng Ishiguro l\u00e0 Ng\u01b0\u1eddi kh\u1ed5ng l\u1ed3 ng\u1ee7 qu\u00ean, D\u1ea1 kh\u00fac: n\u0103m c\u00e2u chuy\u1ec7n v\u1ec1 \u00e2m nh\u1ea1c v\u00e0 \u0111\u00eam bu\u00f4ng, M\u00e3i \u0111\u1eebng xa t\u00f4i.<\/p>\n